Davidson Galleries in Seattle

-

Philip Koch's White Light oil at Davidson Galleries in Seattle.

An old friend of mine (since my Cub Scout days!) was kind enough to send me some pictures he just took in Seattle's Davidson Galleries where I have one of my oils hanging in their August Landscape show. My friend became Robert Wetmore, MD (orthopedics) and has a practice in Waterbury, CT. Bob was out visiting his daughter Kate who's just had her first child. That's Kate with the new goods above. Congratulations!

Art galleries are a critical part of building the bridge between an artwork and a potential audience. As I haven't yet visited Davidson Galleries I was very happy to see some photos of it. It looks great. Here's an interior shot with my White Light in the distance. I like galleries like this that know how to present work in the right way- lots of breathing space between the artworks so the viewer can see them without distractions. High ceilings, freshly painted walls, and well-aimed lighting make a world of difference.




Sam Davidson has run the gallery for many years. He has a large inventory of works on paper and prints by both contemporary and historic artists as well as handling paintings and sculpture. Here's a link to his website.


Natural and Urban Landscapes runs through Aug. 28 at Davidson Galleries. Here's some of
the paintings in the show from six different artists from across the U.S.


Below is Dr. Wetmore himself (a.k.a Bob).







Popular posts from this blog

Edward Hopper- Looking Out

-
Image
Edward Hopper, Cape Cod Morning,   oil on canvas, 1950,  Smithsonian American Art Museum Above is a painting I've loved for some forty years. I'm fortunate to be able to see it often as it lives in the SAAM in Washington, D.C. . This painting contains a real clue to Hopper's art. I visit there often as it helps me learn how to see better. Often writers will talk about the loneliness of Hopper's paintings or how his figures feel isolated and rarely interact with one another. While there is some of that in Hopper's painting, it begs a question- why is Hopper's art so widely loved? I'd offer a couple of answers. First, he's one of the most talented painters and was able to invent visual equivalents for strong emotions we humans experience as we live our lives.  He saw color combining in unexpected ways and offered up generous servings of the most delicious color combinations. Yum. Usually, as in the SAAM's Cape Cod Morning above, when he paints
Read more

Edward Hopper's Poetry of Empty Rooms

-
Image
I've just been invited by Rachael Solomon who is the Program Director of the  Edward Hopper House Art Center in Nyack, NY to have a mini solo show in one of their galleries.. We'll be showing some of my paintings of the interior of Edward Hopper's Cape Cod studio where I've had the great pleasure of enjoying 13 residencies since 1983. The Edward Hopper House Art Center is the boyhood home of the famous American realist artist. So much of what Hopper became stemmed from his early years there. So I'm excited to do the exhibit. It will be coming up in March through May of 2012.   Hopper didn't teach. Yet I learned more about how to become a good painter by studying his work than by any other single thing. Art after all is visual. Words, even beautifully and aptly spoken can get in the way. And Hopper was legendarily tactiturn. I suspect had someone asked Hopper how to paint an empty room, his terse reply would have been "Don't!".  Above is one of h
Read more

Ever Wonder What's in the Next Room in Hopper's Rooms by the Sea?

-
Image
Edward Hopper, Rooms by the Sea , oil on canvas, 1951, Yale University Art Gallery One of Edward Hopper's best known paintings is Rooms by the Sea that was based on his studio in Truro, MA. Its mysterious doorway leading to the ocean captivates our eye.  Did you ever wonder what the room through the painting's other doorway looked like? Last week a collector asked to see some of the drawings I made during my residencies in the historic studio so I photographed this drawing. Philip Koch,  Edward Hopper's Truro Bedroom: Afternoon  Sunlight , vine charcoal, 9 x 12 inches, 2012. To make the drawing I set up my French easel in the bedroom Hopper shared with his wife Jo for the three decades they lived in the studio. One of the room's two small closets centers the drawing. At the right is the doorway leading into Hopper's big painting room with his studio easel in the distance.  What inspired me to make the drawing were the intense patterns the afternoon sunlight made ove
Read more