What Edward Hopper and Charles Burchfield Showed Me
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMBNnXilZf3bJr0YDFD9TG85uZtUuxzO1fR9HZvwQCiJFg9AVIsSoULO6GWSn8HKZRkNO7ABtRSviFp8hEPn-YykWwrGxZ_4TTrWoBjZ0Xu_E-Y8zP4eTKDz8ahahdmIqcsZFLd2d5K-cq/s1600/HHtalk3-6-15PhilVoyage.jpg)
At my gallery talk last Friday evening on my current exhibition at Edward Hopper House Art Center in Nyack, NY I spoke about my development as a painter. Above is a photo taken before the crowd arrived of me standing with my painting The Voyage of Memory, oil on canvas, 38 x 38". That's a favorite of mine that combines some serious notes of my personal history with a tip of my hat to Thomas Cole, the great grandfather of American landscape painting. Putting elements like that together is a bit unusual in today's art world. There was a time when I wouldn't have had the temerity to paint like that. Beginners start at the beginning. When I began painting it was in the then tiny studio art department at Oberlin College. I quickly pieced together what I thought were the essentials of the modern art story: contemporary art had evolved more or less in a straight line from the first Impressionists, then the Cubists, then the Abstract Expressionists. Armed with