Catalogue Essay for Upcoming Exhibition at Edward Hopper House
Carole Perry, the Executive Artistic Director of Edward Hopper House Art Center in Nyack, NY wrote the following essay for the exhibition catalogue for their upcoming show Philip Koch: Landscapes and Hopper Interiors. The exhibition runs Feb. 14 - April 12, 2015. There will be an opening reception Saturday, Feb. 14 from 5 - 7. All invited!
As
an art student in the late1960s, Philip Koch (b. 1948) found inspiration in the
geometric and color field abstractions of artists such as Josef Albers, Frank
Stella, and Mark Rothko. Koch created
abstract paintings until, he says, “[Edward] Hopper came along and tapped me on
the shoulder.” With the ghost of Hopper
as his guide, Koch turned his attention to the landscape and began to paint from
nature in a realist style.
What
he learned from Hopper, Koch says, “was to be relentless in pursuit of just the
right idea to make a painting… Don't settle for anything less than
extraordinary his work said to me." Like Hopper, Koch starts a composition by
sketching his scene on site. He uses
vine charcoal (a medium he is drawn to for its ability to render the nuances of
light and shadow) to record his initial impressions, and then engages his
imagination and memory to execute the final painting in the studio.
Since
1983, Koch has had 15 residencies in Hopper’s home and studio in Truro, MA on
Cape Cod. He has also painted in
Hopper’s bedroom at the Edward Hopper House.
Spending time in the spaces inhabited by Hopper, seeing the same views
and experiencing the play of light and shadow in the rooms and on the
surrounding houses has provided Koch with a unique understanding of Hopper’s
work and process. Koch has used that
understanding as a guide as he forged his own artistic identity.
Edward
Hopper once said that it took him 10 years to “get over” the influence of his
teacher, Robert Henri. Likewise, it took
Koch some years to get past Hopper’s powerful hold on him. It is not style, subject matter or technique
that makes an artist unique, but how much of himself he puts into his work. For the past 20 years or so, Koch has
succeeded in putting himself into his paintings and telling his own story. His modernist roots
commingle with his appreciation for the 19th century landscape
painters and their celebration of the natural world. Koch’s paintings embrace that world, while continuing to
discover the expressive qualities of color and light.
Koch,
who works as a Professor of Art at the Maryland Institute College of Art in
Baltimore, makes regular sojourns to upstate New York and New England,
following in the footsteps and painting the same views as the likes of Edward
Hopper, Winslow Homer, and the Hudson River School artists he so admires. "Each generation" says Koch
"needs a new image of what our earth looks like in our time. There will
always be a need for landscape painters to show us where we live." Koch shows us where we live, according to
him.
Carole Perry, Executive
Artistic Director, Edward Hopper House Art Center