Philip Koch Paintings

This is Edward Hopper's 1930 watercolor of the Highland Light in North Truro, MA on Cape Cod. The painting is a masterpiece on a lot of levels. One thing I particularly love is how Hopper created a real drama of colors between his pale buildings and sky contrasting so sharply against the deep yellow ochres of his sun-drenched grasses. Hopper deftly included the sandy road in his foreground to break up what would have been a visually too empty field. By adding a note of less intense color in the bottom half of his painting he helps connect his foreground with the the painting's more pearly top half. I'll be including a slide of this watercolor of  Highland Light in the slide talk I am putting together for my event sponsored by Addison Art Gallery and the Truro Historical Society on Saturday, Sept. 24, 2016 at the Highland House Museum in Truro. There will be a showing of six of the oil paintings I've made during my 16 residencies in Hopper's former studi

Philip Koch, Upper Story: Sunlight , oil on panel,  12 x 24", 2016. I painted this from the building in downtown Buffalo that Burchfield used as the center- piece of perhaps his most famous watercolor, Rainy Night. Here are ten of my oil paintings that I've finished so far from my time as the Artist in Residence at the Burchfield Penney Art Center in Buffalo, NY. Most of them will be in the show I'm having opening at Courthouse Gallery Fine Art in Ellsworth, ME on Oct. 1st. The oils were begun at different times over 2015-2016 when I was making repeated trips to Buffalo, to work at Burchfield Penney and in areas where the painter Charles Burchfield went to paint his landscapes.  One of the things that most struck me on the Residency about Burchfield  was how often he would take great lengths of time to complete his paintings. Sometimes the evidence was in the numerous preparatory drawings he would execute to help him with his major paintings. Other time